Direkt zum Inhalt
Left
Weitershoppen
Ihre Bestellung
Ihr Warenkorb ist leer
Facebook
Instagram
Sprache
Deutsch
English
Deutsch
Heim
Visuelle Kunst
Originalgemälde
All Originals
Acryl
Öl
Aquarell
Drucke
All Prints
Drucke auf Acryl
Drucke auf Aluminium
Drucke auf Leinwand
Drucke auf Papier
Prints on Wood Block
Fotografie
All Photography
Aluminium
Segeltuch
Papier
Andere Medien
Handgemacht
Keramik
All Ceramics
Schalen
Dekorativ
Tassen & Tassen
Portionsstücke
Textilien
Glaskunst
Schmuck
All Jewellery
Mammut Elfenbein & Geweih
Indigene
Gold
Silber
Kupfer
Sonstiges
Leather
Mammut Elfenbein & Geweih
Metallkunst
Holz
Indigene
Schnitzereien
Handwerk
Hausschuhe
Strickwaren
Inuit-Skulptur
Schmuck
Fäustlinge, Hüte und Mukluks
Zubehör
Handtaschen
Mokassins
Schals
Geldbörsen
Yukon Art Cushion Covers
Yukon Art Scarves
Yukon Art Throw Blankets
Geschenkartikel
Kunstkarten
Bücher & Lesezeichen
Kerzen & Kerzenhalter
Untersetzer
Magnete
Tassen
Neuheiten
Ornamente
Tragetaschen
Künstler
Halin de Repentigny
Yukon Barge - Halin de Repentigny
$500.00
Default Title
Dieser Artikel ist leider ausverkauft
Painted on location in The Yukon by Halin de Repentigny
9 x 12 (in)
Oil paint on masonite board
This image depicts a working barge pulled up on the shores of the Yukon River close to where it meets the Klondike River. Once a common sight up and down the rivers barges would've been used to haul general freight into the remote communities of the Yukon Territory and haul copper ore, wood and gold out. In the gold rush days, barges, sometimes four or five in a line, were pushed in front of the sternwheelers carrying stampeders to and from the Klondike.
Halin was born in Quebec in 1959. He began painting in oils at the age of ten and abandoned formal education to pursue a career as a painter. Halin arrived in Dawson City, Yukon, by canoe as a young man over forty years ago, armed with his paint brushes, a hunting rifle and a pair of homemade snow shoes. He quickly headed north of Dawson to experience life in the remote Yukon bush, living in cabins of his own construction miles from the nearest road. He settled into a life of running sled dogs, cutting wood and checking his trapline on the Hart River in the Peel Watershed. Halin, married a local First Nation woman and raised his daughter in the bush there, teaching her a traditional life of self sustaining. It is this life that is the common theme through Halin's work.